Download free for Husn Hai Suhana Chana Dixit Mp3 Free Download or search any related Husn Hai Suhana Chana Dixit Mp3 Free Download. Taani Khabo Ye Choti Mp3 Song Bhojpuri Free, download free limewire music version, download free music online, free music download site, itunes free download, free. If you wish to enjoy MP4 videos and audios, you have just landed on the right website. Browse through our library of songs and videos and enjoy the ones of your choice. Did you know that you can help us produce ebooks by proofreading just one page a dayMohammad Rafi versus Kishore Kumar. An era changes with Aradhana 1. When Aradhana unfolded in 1. Mere sapno ki rani kab ayegi tu, a phenomenon called Rajesh Khanna was born. Also born was another and perhaps more startling phenomenon a new Kishore Kumar who with this one film swept aside Rafi to emerge as the No. Rafi did have two duets in the film Bagon mein bahaar haiwith Lata and Gunguna rahe hain bhanwrewith Asha Bhosle, but Kishore Kumar with Lata surpassed him with Kora kagaz tha ye man mera, and Rafi had nothing to counter his two solos Mere sapno ki rani kab ayegi tu and Roop tera mastana. This was no flash in the pan. O0tSubx2dkA/UHEcclqiH6I/AAAAAAAAEVY/ONjRFQOkQ94/w1200-h630-p-k-no-nu/Coolie-no-1-hind-songs.jpg' alt='Coolie No 1 Songs Free Download' title='Coolie No 1 Songs Free Download' />Aradhana became a clear watershed film which marked the change between the old and the new, and the end of the Golden Era of fifties and sixties. What is most interesting is how Rafi started sliding behind, and Kishore Kumar became the new Rafi, singing not only for Rajesh Khanna, but later becoming Amitabh Bachchans voice, and then singing for virtually everyone. This was in some ways similar to the earlier great watershed year of 1. Lata Mangeshkar with her immortal songs of that year with all the great composers such as Ayega Aanewala Khemchand Prakash, Mahal, Hawa mein udata jaye mera lal dupatta malmal, Meri ankhon mein bas gaya koi re, Jiya beqaraar hai Shankar Jaikishan, Barsaat, Uthaye ja unke sitam, Koi mere dil mein khushi ban ke aya Naushad, Andaaz, Dil se bhula do tum mujhe C Ramchandra, Patanga, Tumhare bulane ko ji chahta hai Anil Biswas, Ladli, Sajan ki galiyan chhod chale, Baharein phir bhi ayengi Shyam Sundar, Bazaar Lahore, La re lappa la re lappa ayee lakhda Vinod, Ek Thi Ladki, Chale jana nahin Husnlal Bhagatram, Badi Bahan etc. Shamshad Begum and Suraiya. But here the comparison ends. There are several contrasts. Lata had been around for about two years and barely twenty then. Kishore Kumar in 1. Rafi, and only a few years younger than him. Yet Aradhana seemed to make him twenty years younger. Then Latas rise can be explained by musical reasons some have tried to attribute it to Noorjehans migration to Pakistan to which I do not subscribe, see my article Lata Mangeshkar vs Noorjehan. But there are no such apparent reasons for Rafis slide. It was not as if one morning in 1. His voice retained its timbre and he still sounded Rafi ish. This has given rise to a whole Who is greater Rafi vs Kishore Kumar industry on the internet, some of the debate becoming downright abusive to one or the other. One story I have read is that when SD Burman took ill after composing the two Rafi duets of Aradhana, RD Burman took charge, and while Rafi was away on a tour abroad, instead of waiting for his return, he got his favourite buddy Kishore Kumar record the solos. As if to answer this charge, RD Burman got both Kishore Kumar and Rafi sing the same solo in a film Tum bin jaoon kahanin Pyar Ka Mausam, and even an inveterate Rafi fan would have to admit Kishore Kumars version is far superior. Later, RD Burman used the two in conjunction to sing the title song in Yaadon Ki Baraat 1. Kishore Kumar singing for one brother and Rafi for another. By this time there was no doubt who was the leader and who the follower. RD Burman Kishore Kumar became a byword for the musical style of the seventies. Laxmikant Pyarelal had achieved spectacular success with Dosti 1. Rafis voice. Post Aradhana they continued with Rafi and you have a large number of peasant Rafi solos and duets in films like Khilona, Jeevan Mrityu, Humjoli, Anjana, Jigri Dost, Jeene Ki Raah, Mera Gaon Mera Desh, Aap Aye Bahar Ayee, Pratigya, Sargam etc. JeCH14TznA/hqdefault.jpg' alt='Coolie No 1 Songs Free Download' title='Coolie No 1 Songs Free Download' />However, they were too smart to miss the winds of change. So you have Kishore Kumars Khizan ke phool pe aati kabhi bahaar nahito Rafis Ye reshami zulfen ye sharbati ankhenin Do Raaste. In Aan Milo Sajna Rafi Lata title duet is countered by Kishore Kumar Lata duet Achcha to hum chalte hain, and Rafi solo Phalak se tod kar dekhokoi nazrana lekar aya hoon is now forgotten before Kishore Kumar solo Yahan wahan saare jahan mein tera raaz haijawani o deewani tu zindabad. And you have several more Kishore Kumar super hits, such as Main jahan chala jaoon bahar chali ayeBanphool, 1. Sachai chhup nahin saktivaada tera vaadaDushman, 1. Haal kya hai dilon ka na poochho sanamAnokhi Ada, 1. Mere dil mein aaj kya haiDaag, 1. The coup de grace was Karz 1. Rafi Dard e dil dard e jigar dil mein jagaya aapne, but Oops Kishore Kumar sang the rock star song Meri umar ke naujawanonOm Shanti Om. The message was clear he was the voice of the new generation. Kalyanji Anandji did not have much Rafi baggage, their main singer was Mukesh. While they continued to create songs for Mukesh, their adoption of Kishore Kumar as the lead singer was breathtaking. Theirs was a most amazing transformation in style it is difficult to believe that it is the same composers that composed Kishore Kumars Khaike paan Banaraswalawho in the 6. Masti-Ka-Aalam-Masti-Fun-Songs-Hindi-2016-500x500.jpg' alt='Coolie No 1 Songs Free Download' title='Coolie No 1 Songs Free Download' />Hum chhor chalein hain mehfil ko, Tumhein zindagi ke ujale mubarak, Mere toote hue dil se koi to aaj ye poochheetc for Mukesh. And what stupendous success they achieved with Kishore Kumars voice in Sachcha Jhoota, Safar, Kahani Kismat Ki, Haath Ki Safai, Victoria No. Apradh, Kora Kagaz, Don, Muqaddar Ka Sikandar, Lawaris and Vidhata, catapulting themselves to the top league with RD Burman and Laxmikant Pyarelal. Other stalwarts of the Golden Era had already faded or were on the decline. How To Install Ceramic Tile Wall Baseboard. Shankar Jaikishan owed their supremacy in the 6. Rafi. In the new era they had a major success with Rajesh Khanna starrer Andaaz 1. While Rafi sang a largely forgotten Re mama re mama re, Kishore Kumar had a winner Zindagi ek safar hai suhana singing for Rajesh Khanna. Incidentally there is also a Rafi slow version for Shammi Kapur, but again the Kishore Kumar version stood out. Madan Mohan valiantly continued with Rafi in songs like Teri ankhon ke siwa duniya mein rakha kya haiChirag, Ye duniya ye mehfil mere kaam ki nahinHeer Ranjha, Tum jo mil gaye hoHanste Zakhm etc, which all sounded the same. Coming to Mausam 1. Dil dhoondta hai phir wohiwas in Bhupinders voice. Rafi sang Chhadi re chhadi kaise gale mein padi. The song hardly enhances the prestige of Rafi. There was a time when Rafi could sing a chhadi stick song Laal chhadi maidan khadi, which would make the song and Shammi Kapoor a cult figure Jaanwar, 1. For over the next 1. Rafi continued singing, the same story repeated. Whatever Rafi did, Kishore Kumar did one better. He would sing for Rajesh Khanna, and later he would become the voice of Amitabh Bachchan. He would sing for Dharmendra, Vinod Khanna, Vinod Mehra, Jackie Shroff, Rishi Kapoor, Anil Kapoor and everyone. And as the ultimate irony, he also sang for Dilip Kumar Saala main to saheb ban gayain the film Sagina Mahto. Lest you thought this was an aberration, Kalyanji Anandji used Mahendra Kapur to sing for Dilip Kumar in Gopi Ramchandra kah gaye Siya se aisa kaliyug ayega. Kishore Kumar would sing the iconic paan song Khaike paan Banaraswala, and he would sing the bhang song Jai jai Shiv Shankar. He would sing from ghazal Dil aaj shayar hai gham aaj naghma haito drunken song Peenewalon ko peene ka bahana chahiye. He would sing for the street performer, Ei hai Bambai nagariya tu dekh babuato the night club to a five star hotel party to a rock concert, Apni to jaise taise thodi aise ya waise kat jayegi, Pag ghunghroo baandh Meera nachi reand Sara zamana haseeno ka deewana.